Religious and economic factors are influencing artistic forms in northern Europe.
The form of artistic styles in northern Europe was adapted from the local customs and ended up the tradition of religious painting. These thus bring diversity and reformation of the art embraces protestants values and reducing the amount of faithful of protestant countries (2020). The art inherited brings the Dutch republic success of the Burgurdan. These are due to the indigenous cloth industry present at that time. This added value to the economy most of the textile clothing’s depended on and thus topped the economy of Dutch and becomes economical to dominance in all the provinces.
Describe the effects of the artistic patronage of Louis XIV on the art and architecture of France in the innovation of the partial complex.
According to the tradition of the France Kings, Louis likes most to acting on the generous patron and superior of artists (2020). These made the kings make more interest in the art for the politics and government affair that leaves an impressive architecture improvement that includes the complex building that invades. As a king, he takes pride in the decorations as the hall of mirrors that were castle concerts, theatre performances more especially to where he loves dancing of the quadrilles
Reasons for the return of the classical ideas and ideals to the art of northern Europe during the baroque
the art of the north of Europe makes a significant influence that localizes the movements. It also expresses some characteristics strengths (2020).This leads to the decline and opens the way the culture, social-economic changes that associate an increase of painters in northern Europe more, bringing a significant influence to Rome. The reformation of the art also embraces the protestant value and reduces the number of religious protestants. Many of the artistes in protestant countries diversify into secular forms of history painting, landscapes, portraiture, and the still life.
References
PSYCHOLOGICAL MECHANISM OF AESTHETIC PREFERENCE FOR DIFFERENT ARTISTIC FORMS. (2020). https://doi.org/10.24205/03276716.2020.2