Catcher and the Rye. Loneliness
In the play “The Catcher in the Rye”, Holden does not fit in due to loneliness. Nonetheless, he decides not to go to his school’s football game with his companions, a sign that he will in general sequester himself from his colleagues. Nonetheless, is not the way that Holden is a distanced young teenager, but the novel’s nuanced portrayal, of the causes, returns, and costs of the isolation. Ultimately, isolation both fortifies and damages Him.
On one hand, it guarantees that he will never need to shape relations with his colleagues that may wind up initiating unwieldiness, dismissal, or the kind of serious enthusiastic torment he felt when Allie his sibling passed away (Kheirkhah et al.). However, this same intuition irritates him from the sort of relationship all people require to have optimistic existences. In addition to this, Holden may wish that he did not require relations, nonetheless, he does. Consequently, while his estrangement ensures him, it as well earnestly hurts him, making him strongly desolate and disheartened. As a result, he gets caught in a pattern of implosion his dread of human relationship, prompts estrangement and depression, which urges him to bond with others, which energizes his dread of human relationship, which makes him shut down, which leads again to loneliness.
Furthermore, Holden tries to isolate himself from his companions. He does this in different manners, some of which are more unobtrusive than others. For example, even his way of dressing shows his longing to be separate from every other person, as he wears an offbeat chasing cap that isolates him from individuals like Stradlater, who might never wear such exceptional or flighty clothing (Kheirkhah et al.). He likewise deliberately distances himself from Stradlater because he cannot force himself to talk transparently about how he feels. Furious and envious that Stradlater went out on the town with Jane. Holden irritates his colleague until they at long last get into a fight. Moreover, Holden perniciously fixes the chasing top of his head and tempests out of the residence, hollering. With this, he sets off all alone, saying goodbye to his colleagues an unforgiving that underscores exactly that he is so anxious to protect himself from his friends.
Having hope is important. Although Holden is focused on demonstrating how little he needs others, his depression before long overwhelms him. Urgent for friendship, he makes different endeavours while in New York to associate with individuals like his childhood lover, Sally Hayes, and his previous guider, Carl Luce. In the two cases, however, he winds up acting abrasively, evidently awkward with the possibility of basically identifying with others. When Holden unavoidably drives both Sally and Carl away, he by and by starts to feel tragic and alone, and this makes him consider his dead sibling, Allie (Kheirkhah et al.). Subsequently, he chooses to return home with the goal that he can address may be the main individual he prefers his younger sibling Phoebe. In any case, since he is resolved to separate himself from the remainder of his family, he cannot remain with Phoebe when his folks return home that night. Once more, at that point, his choice to confine himself meddles with his capacity to discover veritable friendship, along these lines solidifying the example of estrangement that causes him to feel so miserable and desolate.
In summary, the play “The Catcher in the Rye”, due to loneliness which influences Holden, it is critical to find, how assurance of guiltiness, particularly for children is imperative. Holden s firmly identified with his battle against growing up which made him seclude himself. The individuals he appreciates all protect and represent honesty.
Work Cited
Kheirkhah, Shiva, and Kian Pushkar. “Alienation and Loneliness of American Postmodern Characters in Salinger’s Masterpiece Catcher in The Rye.” Journal of Applied Linguistics and Language Research 5.6 (2018): 28-41.
