Composing Classical Music
The process of creating classical music demands the comprehension of the basics for the composition in the first step. A significant majority of composers initiate the process by researching the type of classical music to compose. The step that follows is the exploration of the trends in the industry. Afterward, the researcher plans the activity by selecting the theme and the instrument for use in the process. If the composer lacks music production skills, he or she can engage a producer at the planning stage. This is because the knowledge on the use of the instruments and the experience in terms of sound, message, and rhythm is necessary. The process then concludes with the harmonization of the contents using a software as the case of Protools, Spitfire Audio, or Alberton line.
Process
The research on the process of creating classical music in a traditional way led to the comprehension of the complexities that characterize the process. The difficulty explains the reason for the introduction of software as Spitfire Audio that simplifies music creation. One of the lessons from Marrington works on technological use in a classical composition is that the composer must think as the audience (1). The researcher implies that the reflection provides the person the opportunity to exude creativity in composing a song that fulfill the expectations of the audience. The step that follows is the formulation of the theme for the presentation. An example is a narration on the theme of love. The writer for such lyrics piece can infer to great classical in coming up with the tunes for the songs.
The step that follows is the selection of the instruments from the music app. One must identify the setting of the components. Artists, on numerous occasions, use theatre mode as the preference. In the same way in traditional composition, the theatre serves as the venue for composition (Li et al. 522). The composers then engage a producer and other professionals in the diverse sphere as sound engineering and lighting in the composition. The recording of the song follows. The typical approach involves the infusion of the sound of the composer with the sound from the musical instruments. The process must adhere to the basics of music composition that involves balancing the notes with the pitch/tune from the music. The composers then allow the producers to merge the contents.
The creativity of the composer lies in the ability to harmonize diverse elements of music to produce an enticing sound to audiences. The composition does not have to appeal to all, but the ability to create a piece that communicates a specific message to the audience is advisable (Marrington 1). One might opt for a popular theme with the motive of educating. The composer can equally opt to entertain. However, the underlying objective is infusing artistic creativity in coming up with content that qualifies as music. Similar strategies guided composers as Beethoven in their works. Paul McCartney uses the bass guitar together with piano and keyboard in composing the classical song adored by many globally.
Conclusion
The process of composing classical music using software such as Spitfire Audio demands comprehension of the basic elements of classical music. The step that follows is planning for the arrangement of the keys and the notes after setting the stage for the presentation. The recording follows before the engagement of the producers in harmonizing the information. According to research, the composer’s creativity in blending diverse elements of music in communicating themes that resonate with audiences makes the composition great.
Works Cited
Li, Bochen, et al. “Creating a multitrack classical music performance dataset for multimodal music analysis: Challenges, insights, and applications.” IEEE Transactions on Multimedia 21.2 (2018): 522-535.
Marrington, Mark. “Experiencing musical composition in the DAW: The software interface as mediator of the musical idea.” Proceedings of the 6th Art of Record Production Conference. 2010.