Curatorial Proposal

Curatorial Proposal

Introduction

Museums are ideal places for coming across different collections of visual art. In my digital visit to the museum, I came across The Metropolitan Museum of Art, located in New York. The art collections at the Metropolitan Museum were very many displaying different paintings that were done in different periods dating from as long as 1400AD. The curator essay gave a glimpse of the permanent collections and the special exhibitions of the visual art at the museum. In the context of the artist, Johannes Vermeer (Dutch, 1632-1635), the permanent collections at Metropolitan Museum included the Paintings and Dutch Master Pieces of the museum which illustrated different scenarios such as political figures, and historical aspects which simplify certain phenomenon. However, from these unique arts, I was influenced to come up with this project to display various curatorial concept as well as making the idea into practice by coming up with a project of the same.

Selection of the Artists

Artists depiction has been reinterpreted and repainted a few times by different painters from various administrations and various periods. This is an exhibit of exactly how significant this work of art has been to by and large world’s culture and the universal craftsmanship scene when all is said in done. The imitated canvases acquire from the general topic embraced by artists, however, vary as far as subtleties, materials, and methods utilized. The first parchment has been passed somewhere near a string of private proprietors, before being at last given to the overall population as a showcase in open historical centers (Gescher, 2017). Among the selections of arts, I considered for my curatorial project are the following.

Artist 1

MARÍA JOSÉ BENVENUTO

Circles 3

The Couple

This artwork has been painted María José Benvenuto, which includes a convoluted blend of highlights, pieces, and structure. Among the recognizable highlights of this style are; the pathways are not straight. Consistent with the Shan Shui painting style, any pathways or carriageways are not straight in this artistic creation. The waterways, pathways, and roadways will attempt to duplicate characteristic examples made by the powers of topography by not being straight or direct. Besides, the sketch, consistent with all canvas painted in the Shan Shui style, has an inside or heart (Gescher, 2017). For this situation, this would be the angled scaffold over the stream. The heart conveys the focal importance of the composition and is the point of convergence after that every single other element are engaged. The heart likewise conveys the general character of the whole painting.

Artist 2

Adam Chang

Shan Shui with Panda 1808, 2018

Ai Weiwei No.3

One of the best attractions of this work of art is the measure of detail through which even the littlest components have been painted. This dimension of exactness and care, for a work of art this huge, gives untold incentive to this depiction and others painted by the craftsman. The complex subtleties and creative authority give a rich account to the scene painted by the craftsman.

This huge number of detail likewise implies that the composition stays open to a heap of translations (Sullivan, 2019). Various gatherings through different times and periods have offered what they think their understanding of the work of art is. Some have been precise, some not really. Regardless of every one of these elucidations and misinterpretations, ‘Along the River During the Qingming Festival’ stays a standout amongst China’s most effective sketches. In the year 2010, a three-dimensional generation of artistic creation was put in plain view for a quarter of a year at the Chinese structure amid the World Expo. Much the same as some other painting showstopper, the depiction ‘Along the River During the Qingming Festival’ offers something beyond aesthetic esteem. It additionally offers social and chronicled an incentive as it gives a nuanced comprehension of life amid the period of the Song Dynasty.

The work of art is part of two primary segments, right and left. The right area is the wide-open where there are country people comfortable continuing on ahead. There are fields of planted harvests, and the general population in this piece of the work of art are thought to be ranchers, herders, and possibly a poor person or two. The left area of the artwork is prevalently rustic, with a couple of entryways driving into the city (Liu, 2018). Inside the city is a whirlwind of movement that individuals from varying backgrounds are occupied with. The city is joined to the rustic wide open by a nation street that, in the long run, extends into a city street that goes into the bustling city. This bifurcation into two particular sides additionally demonstrated the degree to which the craftsman’s brain could be part. The old specialists could undoubtedly see two entirely unexpected philosophies without fundamentally giving any of them a chance to meddle with the other.

Inside the city, one can see different individuals occupied with various financial exercises. These incorporate dealers, charge gatherers, poor people, and payload men at the vessel straight, retailers and traders at the shops, homeless people in the avenues, crystal gazers, and prophets (Kim, 2016). Taking a gander at the exercises alone can additionally tell that there are likewise woodworkers, metal fabricators, bricklayers, owners, priests, instructors, mill operators, and even insightful respectable men. Every one of these exercises occurs inside the city entryways, which might be known as the focal business locale.

There is, by all accounts, specific energy among the general population on this extension. Taking a gander at the canvas intently, there is by all accounts a vessel moving toward the extension unusually, and it would seem that it might collide with the scaffold. Its pole does not appear to have been totally brought down; thus, it would appear that it might collide with the scaffold. The general population on this scaffold hence appears to yell at the general population on this moving toward pontoon, assumingly to caution them of the approaching risk. Truth be told, one individual at the peak of the extension appears to have brought down what resembles a rope to the general population in the vessel, in an accommodating motion (Kim, 2016).

The artwork likewise shows business and living structures of different styles and sizes. The structures are an immediate portrayal of the general public amid the Songline. Aside from the shops, stores, and eateries, one can see that there are the private structure, sanctuaries, lodgings, and what resemble government official structures (Kim, 2016). The private structures extend from gigantic palatial chateaus with yards in the front and the back to small dull cottages. This may be seen as a portrayal of the riches hole in the general public at that specific period amid the Song Tradition.

This artistic creation is the complete portrayal that there is of China amid the eleventh and twelfth hundreds of years. Individuals cooperating in the work of art draw a harsh picture of what the class structure in old Chinese culture was assembled. The general public was exceptionally stratified, with different class bunches going from the poor to the rich. The artistic creation likewise shows the subtleties of life in both the provincial and urban territories of old China. Unmistakably the two settings, the provincial and the urban, had highlights and issues of their own.

Antiquated innovation is likewise in plain view in this artwork, particularly those headways that have occurred in the domain of transportation. Boats with rudders and vessels with poles were a generally new thing around then, in terrain China as well as on the planet. A portion of the general population living in the urban focus is additionally observed to apply a type of agrarian innovation where individual greenhouses are flourishing (Cheng, 2016). These comprise of little fixes neighboring the private structures where the proprietors would plant nourishment for their own utilization. Inside the patio nurseries, one can likewise observe fake mountains, lakes and shake developments in these individual greenery enclosures.

Budget and Estimated Costs for setting up a curatorial

Curatorial Job Description for the Applicants

A curator is responsible for managing, assembling, and cataloging artistic galleries in museums and other art collection centers. They present and display the collections in their artistic nature. They also develop objects to display and interpret through exhibitions, publications, and presentations. The collections are in different forms from audio, video, and print; the curator ensures that arts are up to date and safely taken care of to avoid damage and alteration. A curator organizes exhibitions, buys exhibits, and participates in the restoration of artifacts of importance to the Loyola University. In the curatorial managerial position, there is attending board meetings and supervising junior staff within the university museum. It also involves going for seminars and other exhibitions of interest to the university. Its planning and budgeting of the museum’s resources to distribute to relevant departments. Allocation of tasks to junior staff and communicating directly to the university vice president are some of the responsibilities.

Tasks and Responsibilities

• Maintaining museums records and cataloging galleries to easy access and retrieval.
• Develop new collections to improve and expand the museum for research and educational purposes.
• Explore the arts industry, acquiring and negotiating on new art collections such as paintings and sculptures for value addition in the museum.
• Researching extensively and publishing on exhibitions on the university’s website and other art journals.
• Preservation of the gallery and other treasured forms of university art.
• Consulting and collaborating with other museums and relevant bodies such as the National Museum Council to update with the current trends.
• Come up with the center’s budget ad present it to the university council or funding.
• Participate in job selection of hiring human resource temporary or permanent to the museum.
• Train junior staff through seminars and in-house; facilitate necessary training materials.
• Do the managerial role of directing, planning, and controlling the museum’s resources.
• Mobilize and seek external funding opportunities, such as grants from government organizations.

Knowledge

Education and Training- Have a relevant Master of Arts degree with a specialization in anthropology, sociology, or history. A Ph.D. holder has an added advantage. A professional training certificate in curating or its equivalent is desired. Five years’ experience in the same or a similar field is required. Able to put into practice skills acquired in class.

Management- directing, staffing, and coordinating people in an organization is essential. Planning and implementation of projects related to the field I desired.

Human resource- has training and know-how to manage people with tasks such as recruiting, selection, and hiring of the museum staff.

Skills

• Communication- articulate issues verbally and convey them to relevant stakeholders and external partners.
• Organization skills- plan and put things for easy access; schedule tasks to particular staff to enhance accountability.
• Negotiation- convinces customers and sellers of artifacts to sell at fair prices. Convince the university management why they should accept to fund an expanded budget.
• Problem-solving- segment issues into smaller tasks and solve them amicably using creativity and innovation skills.

Abilities

• Oral expression – communicates ideas and delivers presentation reports clearly.
• Research- spends long hours doing detailed research with timelines on the internet and in libraries and exhibition centers.
• Attention to detail- spends time perfecting fine artistic details to get close to perfection.
• Passion- passionate about curating and exhibiting of artistic collections

Observation method

An analyst or information collector keenly watches the activities of the employees in the organization. The method is highly reliable as there is visual capturing of the information and activities. The analyst gets first -hand information without any risk of omission or tamper. The job description of a curator aligns with the observation method. Most of the jobs done by a curator are hands-on and are observed. The clarity of an art collection is judged through observation. Museum arts mostly display images, and clients appreciate the perfect finishing it comes with it. A curator is to preserve its nature and add more collections.

Justification of Job Analysis Methods

The method consumes less time and can be done on the job without stopping the person at work. With all the advantages, the method is subjective since observation bases on one’s judgment. To overcome the limitation, training of job analysts to focus on specific issues during the task is important. The interview method complements the observation method as it involves face-to-face interaction with the employee. It reduces assumptions created in the observation method as the employee has an opportunity to give an explanation. The job analyst gets detailed information, and a guideline is used to source accurate data from the employee. It has its downfalls as time consuming and risk of information distortion. Both methods are used to achieve excellent results as they complement each other.

Selection tool and Justification

The employment interview is the best selection tool for a curator. It gives an opportunity for the interviewers to explain themselves and deducing the right candidate. They are probed more deeply to ascertain his/her qualifications and experience. For a successful employment interview, the interviewer should have structured interview questions guide to increase reliability, job descriptions, and undergo training on carrying out interviews.

Conclusion

The above paper has connected the exhibitions from the two named artist and their work to a common theme, minimalism, clarity, and space. This process is challenging as one must find the connection between their personal lives and as to why they chose to create their arts in the styles portrayed. The roles and work of a curator also became more vivid as I organized the following slides above.  Their work as a manager to oversee and manage cultural heritage, customs, or art in the various institution they were assigned to was encouraging. This assignment also furnished my documentation skills as I understood that both creation of documents and the techniques used in management. Through the study of some of their artworks, the material, intermedial, and affective dimension of documentation was incorporated as important skills used in management. At first, the process didn’t come naturally; I struggle quite a bit to correlate their works with their message and theme. However, after reading various articles and viewing some of their works, it hence became easier and natural.

References

Förster, Larissa, and Friedrich Von Bose. “Concerning curatorial practice in ethnological museums.” Curatopia, 2018.

https://www.metmuseum.org/blogs/now-at-the-met/2018/in-praise-of-painting-dutch-golden-age

https://www.metmuseum.org/exhibitions/listings/2018/in-praise-of-painting-dutch-masterpieces

Hansen, V. (2016). The BeijingQingming scroll and its significance for the study of Chinese history. Journal of Sung-Yuan Studies, Department of East Asian Studies, University at Albany.

Sullivan, M. (2019). Symbols of eternity: The art of landscape painting in China. Stanford

University Press.

Liu, S. F. (2018, August). Applying QFD Method & Idea Flow for Craft-art Experiment Teaching-Song Dynasty: Along the River During the Qingming Festival in Primary School. In Proceedings of the 2nd International Conference on E-Society, E-Education, and E-Technology (pp. 117-122). ACM.

Cheng, W. C. (2016). Paintings of Traveling Bullock Carts (Panche Tu) in the Song Dynasty (960–1279). Archives of Asian Art, 66(2), 239-269.

Kim, N., (2016). The houseboat in pre-modern China: Technology and culture in mobility history. The Journal of Transport History, 37(1), 5-26.

Gescher, J. M. (2017). Becoming China: The story behind the state. Bloomsbury Publishing.

Berger, C. (2016). Documentation as Art Practice in the 1960s. An international journal on images and their uses, 201-209.

Cutler, J. B. (2017). Narcissus, Narcosis, Neurosis: The Visions of Yayoi Kusama. Contemporary Art and Classical Myth, 24.

Judd, D. (2005). Donald Judd: complete writings: gallery reviews, book reviews, articles, letters to the editor, reports, statements, complaints.

Philips, l. (2012). For Arts professionals in the know. Arts education.